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"What an enterprising programme from the Israeli pianist...great charachterfulness...every sonata seems to spring a surprise... fleet and airy"

GRAMOPHONE MAGAZINE, UK
"...probing, incisive pianist with a beautiful sound and an impressively transparent touch...If you like Glenn Gould’s Bach, you’ll like Yarden’s... superb voice-leading and a sense of purpose in every note"

WASHINGTON POST, USA
"Yarden displays an inventively intelligent Haydn, full of wit and abundance, with a delicate, varying touch... glowing, adventurous, at times intimately chamber-music-like, at times grand and orchestral"

FONO FORUM MAGAZINE, GERMANY
"Wherever you listen in this recording, you will be richly rewarded"

PREIS DER DEUTSCHE SCHALLPLATTENKRITIK, BESTENLISTE (Quarterly German Records Critics’ Prize, for Haydn CD)

Jumping in to replace the international star Daniil Trifonov in Bayreuth!!

On monday, 23.7.2018 I was called to replace Daniil Trifonov in a matter of few hours, in a solo recital at the immensely beautiful baroque theater, Markgräfliches Opernhaus (Margravial Opera House) in Bayreuth, Germany. Trifonov, despite being struck by food-poisining, decided to play the first part and I then performed the rest - a beautiful and unforgettable experience to play in this very special hall and an honor to jump in for this remarkable pianist!

https://www.steingraeber.de/cs/2018/07/daniil-trifonov-laesst-den-fluegel-singen/

Fantastic review on French magazine Télérama

"The highly sensitive playing of the Israeli pianist adapts to the entire palette of moods of the German composer Robert Schumann... remarkable artist... As a final bouquet, the nine miniatures of the scenes of the forest, revive under her fingers with delicacy and an unexpected evocative power."  published July 10, 2018

https://www.telerama.fr/musiques/scenes-and-fantasies,n5724472.php

Artist Porträt on Germany's acclaimed Fono Forum Magazine

A two-page artist Porträt on Germany's acclaimed Fono Forum Magazine, in the July 2018 edition, by Christoph Vratz

"In Einav Yardens Schumann-Spiel steht immer das Gesangliche im Vordergrund"
http://http://www.fonoforum.de/home/ 
 

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