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"What an enterprising programme from the Israeli pianist...great charachterfulness...every sonata seems to spring a surprise... fleet and airy"

GRAMOPHONE MAGAZINE, UK
"...probing, incisive pianist with a beautiful sound and an impressively transparent touch...If you like Glenn Gould’s Bach, you’ll like Yarden’s... superb voice-leading and a sense of purpose in every note"

WASHINGTON POST, USA
"Yarden displays an inventively intelligent Haydn, full of wit and abundance, with a delicate, varying touch... glowing, adventurous, at times intimately chamber-music-like, at times grand and orchestral"

FONO FORUM MAGAZINE, GERMANY
"Wherever you listen in this recording, you will be richly rewarded"

PREIS DER DEUTSCHE SCHALLPLATTENKRITIK, BESTENLISTE (Quarterly German Records Critics’ Prize, for Haydn CD)

Two New Fantastic Reviews from Diapason Magazine and Piano News Magazine!

Einav Yarden's Schumann CD recently received a hailing review on France's most prestigious magazine, 'Diapason'
"...Il est difficile d'imaginer un jeu plus simple, plus direct, plus en prise avec le texte... elle a en tout cas la candeur, la main légère et les doigts alertes. Jamais un point d'appui trop marqué, mais une fluidité et une attention portée au détail qui signalent un idéal fait de probité et d'idéalisme. Les atmosphères naissent, passent et meurent dans une clarté aveuglante tant l'articulation, le poids, les équilibres, les réponses main gauche main droite sont prenants... A noter, au seuil de ce disque admirable et splendidement enregistré, des Fantasiestücke op. 111, aussi étranges, énigmatiques, fuyants, sombres qu'ils le doivent." -- Alain Lompech, "Diapason" (France)
(translation to English to come soon)

And also an enthusiastic review on "Piano News" Magazine: 
"... Schon in den "Drei Fantasiestücken" op. 111 hört man die Verquickung der für Schumann unabdingbaren Leidenschaft mit dem Nachhören des Gespielten, um es genaustens dem Ausdruck anzupassen. Die große jugendlich-stürmerische Fantasie C-Dur vermag sie so sensibel aufzuschlüssen, dass dem Zuhörer die Strukturen durchaus bewusst werden... [über Waldszenen op. 82] Das gelingt ihr so nachhaltig und beeindruckend, dass man ihrem Spiel mit Spannung lauscht. Einav Yarden ist eine wunderbare Pianistin, die mit ausgefeilten Ideen und einer wunderbaren Tongebung überzeugt."   -- Carsten Dürer, Piano News (Germany)

Jumping in to replace the international star Daniil Trifonov in Bayreuth!!

On monday, 23.7.2018 I was called to replace Daniil Trifonov in a matter of few hours, in a solo recital at the immensely beautiful baroque theater, Markgräfliches Opernhaus (Margravial Opera House) in Bayreuth, Germany. Trifonov, despite being struck by food-poisining, decided to play the first part and I then performed the rest - a beautiful and unforgettable experience to play in this very special hall and an honor to jump in for this remarkable pianist!

https://www.steingraeber.de/cs/2018/07/daniil-trifonov-laesst-den-fluegel-singen/

Fantastic review on French magazine Télérama

"The highly sensitive playing of the Israeli pianist adapts to the entire palette of moods of the German composer Robert Schumann... remarkable artist... As a final bouquet, the nine miniatures of the scenes of the forest, revive under her fingers with delicacy and an unexpected evocative power."  published July 10, 2018

https://www.telerama.fr/musiques/scenes-and-fantasies,n5724472.php

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